路易是一名大红大紫的歌星，一次偶然中，他结识了舞蹈演员安妮塔，两人一见倾心犹如干柴烈火，结成了一段浪漫又刺激的露水情缘。路易发现了安妮塔杰出的歌唱天赋，便顺水推舟将她捧上了乐坛。之后，一个名叫茱莉亚的女人走进了路易的生活，漂亮的茱莉亚很快就俘获了路易的真心，但很快路易便发现，茱莉亚的身后掩藏了一个惊人的秘密。 感情上受到了伤害，路易离开了茱莉亚流落异国，在那里，他遇见了越南女孩软玉诗，玉诗的温柔和善良温暖了路易的心灵。在感情上屡受挫折的路易这一次是否能够把握难能可贵的真爱呢？

当红歌星Louie（张国荣饰），偶然中和伴舞女孩（梅艳芳饰）演相遇。于是，二人与父亲的秘密女友、逃难的越南姑娘在不同的时间地点发生了一段意想不到的感情纠葛。

在一个天高海阔的美丽所在，清新淳朴的东方女孩（苍井优 饰）出现在了完全陌生的异国小镇。她在镇上漫无目的地游走，人们走出来像摆弄商品一样前后看一看，确认这不是他们所要的“东西”后走进屋内。女孩不知自己是谁，也不知道关于过去现在未来的种种。在少年的帮助下，她得以找到暂时歇脚的场所。次日，女孩走上街头，如同置身世外的存在，尽情体味着小镇的欢快气氛。但是，头脑中不时闪过的影像又似乎让她想起什么。模模糊糊的记忆，美轮美奂的小镇，一切如梦如幻…… 　　本片为广告导演小松真弓的长篇电影处女作。

在一个天高海阔的美丽所在，清新淳朴的东方女孩（苍井优 饰）出现在了完全陌生的异国小镇。她在镇上漫无目的地游走，人们走出来像摆弄商品一样前后看一看，确认这不是他们所要的“东西”后走进屋内。女孩不知自己是谁，也不知道关于过去现在未来的种种。在少年的帮助下，她得以找到暂时歇脚的场所。次日，女孩走上街头，如同置身世外的存在，尽情体味着小镇的欢快气氛。但是，头脑中不时闪过的影像又似乎让她想起什么。模模糊糊的记忆，美轮美奂的小镇，一切如梦如幻…… 　　本片为广告导演小松真弓的长篇电影处女作。

华之龄（张凤书 饰）的父亲是台湾知名食品企业集团的董事长，父亲一直希望女儿能够继承自己的事业，可是华之龄真正感兴趣的却是学习景观设计。父亲替华之龄安排了一场商业联姻，这让华之龄感到非常的不满，她离家出走前往三峡旅游散心，途中偶遇了名叫邵凯（江宏恩 饰）的男子。 　　华之龄和邵凯，两个性格与身世都截然不同的人相逢在异乡，这奇异的缘分令两个心越走越近，然而，邵凯此时并不是自由身，他也有着一段婚约在身，因此两人始终保持着止于礼的距离。之后，华之龄返回了台湾，决定不再逃避，直面自己的命运。

女主角华之龄--台湾某知名食品企业集团董事长之独生女，其父一直希望她继承衣钵，但她对景观设计有浓厚的兴趣，并且为了逃避世袭婚姻独自来到三峡旅游，…

吴宇森学生时代习作短片。

This powerful psychological drama follows a young executive's climb up the corporate ladder and his slow immersion into corruption, seen through the eyes of his young sister-in-law. 　　Shyamal (Barun Chanda) is an ambitious Marketing Manager in a British firm in Calcutta, manufacturing fans. He's married to Dolan, and lives in a company flat. He aspires to become the company director. For this he has to compete with a colleague who has a relative in the board of directors. 　　His sister-in-law Tutul (Sharmila Tagore) arrives from Patna to spend a few days with them. She has been a great admirer of the ideologist Shyamal and was envious of her sister's marriage with him. Tutul is Shyamal’s conscience. Shyamal shows her the delights of city life - the cocktail parties, the clubs and horse racing. 　　Life goes on smoothly for Shyamal until he learns that a consignment of fans meant for exports is defective. There is not much time to rectify the fans. It could result in cancellation of the export contract and an end to his dream of becoming a director. 　　Hopeless, Shyamal takes Tutul in confidence though not his wife. Late at night, he hatches a plan with the labor officer to provoke a strike at the factory. A factory watchman is badly injured and a lockout is declared. The export contract is saved. 　　Shyamal becomes a director but he has fallen low both in the eyes of Tutul and his own. 　　This is the second film of the Calcutta Trilogy. The other two were and Pratidwandi (The Adversary, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them. 　　With an effortless conviction, Ray builds up the narrative, and characters including the minor ones. The film has a poetic and understated ending. As triumphant Shyamal returns home after being named a director, the elevator is out of order. A joyous Shyamal begins to climb the stairs. As he ascends his steps become slower. When he reaches the top, both physically and metaphorically, his joy has vanished. Tutul who has witnessed fall of her hero, sits beside him, they exchange glances. Without making a sound Tutul removes the watch that he had gifted her. She places it on the table. We see Shyamal from above a ceiling fan, with his head bowed in his hand and Tutul fading away.

This powerful psychological drama follows a young executive's climb up the corporate ladder and his slow immersion into corruption, seen through the eyes of his young sister-in-law. 　　Shyamal (Barun Chanda) is an ambitious Marketing Manager in a British firm in Calcutta, manufacturing fans. He's married to Dolan, and lives in a company flat. He aspires to become the company director. For this he has to compete with a colleague who has a relative in the board of directors. 　　His sister-in-law Tutul (Sharmila Tagore) arrives from Patna to spend a few days with them. She has been a great admirer of the ideologist Shyamal and was envious of her sister's marriage with him. Tutul is Shyamal’s conscience. Shyamal shows her the delights of city life - the cocktail parties, the clubs and horse racing. 　　Life goes on smoothly for Shyamal until he learns that a consignment of fans meant for exports is defective. There is not much time to rectify the fans. It could result in cancellation of the export contract and an end to his dream of becoming a director. 　　Hopeless, Shyamal takes Tutul in confidence though not his wife. Late at night, he hatches a plan with the labor officer to provoke a strike at the factory. A factory watchman is badly injured and a lockout is declared. The export contract is saved. 　　Shyamal becomes a director but he has fallen low both in the eyes of Tutul and his own. 　　This is the second film of the Calcutta Trilogy. The other two were and Pratidwandi (The Adversary, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them. 　　With an effortless conviction, Ray builds up the narrative, and characters including the minor ones. The film has a poetic and understated ending. As triumphant Shyamal returns home after being named a director, the elevator is out of order. A joyous Shyamal begins to climb the stairs. As he ascends his steps become slower. When he reaches the top, both physically and metaphorically, his joy has vanished. Tutul who has witnessed fall of her hero, sits beside him, they exchange glances. Without making a sound Tutul removes the watch that he had gifted her. She places it on the table. We see Shyamal from above a ceiling fan, with his head bowed in his hand and Tutul fading away.

男主人公年轻英俊，并有良好的交际手腕。他的生活除了工作，就是偕同太太参加同事们的社交活动。原本幸福的他却因太太的小妹前来暂住而产生了强烈的人生悸动，他的感情竟然深深地凝聚在这个美丽的小姨子身上，二人产生了隐隐约约的恋情。